こういう記号の多い特殊譜を書きなおかつ
同じ小節のコピペが多いとすると、
記譜モードと浄書モードを行ったり来たりすることになり、
なおかつ浄書モードで選択しているから削除できない、記譜モードにせねば、
今度は
記譜モードにすると記号が動かない。
記号の離れ具合もFinaleの様に設定できないから
全て手作業。
慣れの問題では無い。
設計ミス。
ソフトとして未熟。
というしか無い。
When working on a specialized score like this, with lots of symbols and frequent copying and pasting of the same measures, you end up having to constantly switch back and forth between Write Mode and Engrave Mode.
On top of that, if something is selected in Engrave Mode, you cannot delete it—you have to switch back to Write Mode. But then, once you are in Write Mode, you cannot freely move the symbols.
Unlike Finale, there is also no convenient way to adjust the spacing between these symbols.
So everything has to be done manually.
This is not simply a matter of getting used to the software.
It is a design flaw.
The software is still immature.
There is really no other way to describe it.
