This song Ko-ou (echo)is played by my Shamisen fellows, of the style which is Nagauta Shamisen and Jiuta Shamisen.

This song is composed by Seiho Kineya, and very unique using the Nagauta classical technique which is called Sugagaki, or Uchiawase, which is rarely used in Tsugaru Shamisen.
This song is composed of 2 parts, but they never plays at the same time.alternate playing.
When one player plays on beat, others plays off beat.




This song Ko-ou (echo)is
played by my Shamisen fellows., The style is traditional Nagauta Shamisen and
Jiuta Shamisen.



 corrected



This song is composed by
Seiho Kineya, and is very unique because it uses the
 Nagauta classical technique which is called Sugagaki, or
Uchiawase, which is rarely used in Tsugaru Shamisen.



This song is composed of
2 parts, but they never play at the same time. They alternate play.(They are
played alternately.



When one player plays on beat,
others plays off beat.





 長唄三味線の技法で二丁で掛け合いで裏拍を弾いていく 菅がき、または打ち合わせという技法がありますが、津軽三味線ではあまり使われません。
その技法を、使って作られた現代曲 

二丁で弾いているのに同じタイミングで弾くことがないという凄まじい

杵屋正邦 
呼応 を紹介します。